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LANDSCAPE PAINTINGS : Painting Romanticism With Allegory

Caspar David Friedrich 032 High ResolutionTheme : Landscape Paintings with romantic and allegorical style

While looking at a painting you if feel that you are standing on a hill top and feeling the serene beauty of the landscape before your eyes, the painting must be done by Caper David Friedrich. It seems that he had painted everything subtle he saw and felt. Through the masterly use of dark and light colours, with their appropriate hues,

Caspar David Friedrich tried conveying the emotional and a little bit subjective response to the natural surrounding he lived within. Through his landscapes paintings, not remaining a colourful representation of the Mother Earth only, he spoke the metaphysical side of the human mind, too.


The wanderer above the sea of fog Oil On Canvas


In many of his paintings Friedrich tried showing the insignificance of humans buy putting a human figure before the vast and powerful natural forces like high mountains or deep valley of mass volume of water. But when an artist does so, his or her endeavour should be taken in right perspective considering it as an effort to make human race a part of whole universe, a part that has right to adore the natural beauty and not to abolish it.

The Art:
In the above painting Wanderer above the Sea of Fog , Friedrich had shown his mastery over the art of painting landscapes and the use of dark shading and spacing the objects painted. Look at the dark, powerful, sturdy rock on which the man is standing. The rock is painted with details against the less detailed painted but vast expanse of the valley that lies in front. As the title of the painting suggest, it is narrating a landscape covered by the sea of fog; but the brightness of the colours speaks about the time that it should be morning and the fog would disappear soon.

The Artists: Friedrich’s landscape paintings are like pure aesthetic statements. He did a re-evaluation of the natural world; like we can see the same in the paintings of Turner and John Constable. He believed that an artist should paint only what he could see within him and not only the things he could see before him. Following his beliefs, Friedrich painted somewinter landscapes where in the land was painted in which the land was painted barren and desolate, like representing death or mourning.


The Style of Painting: Caspar David Friedrich
(1774-1840) was a painter of Romantic landscapes. He painted the mountains and rivers of Germany with oil colours and allegory, as the allegory was his second language.

Morning in the Giant Mountains, by Caspar David Friedrich

His paintings depicted the various moods of nature; the night skies with subdued colours, the morning mist with bright colours, and sometimes the tree without leavesand ruined building creating the dramatic and allegorical effect in his landscape the paintings. Here in these articles given with befitting images, an honest endeavour is done to provide some clue and guidance about how to paint a landscape. These articles would try throwing light on the various aspect of the theme: the pencil drawings, watercolours, and oil painting landscapes.

The landscape is the art of painting the greeneries on the earth mainly: the trees, the meadows, the valley, rain and the snow fall. But there had been master painters who had painted the Mother Earth in her every shade, in every form. The greenery is the cover on the earth, the beautiful clothes. And barren earth looks like a woman in her natural beauty. But the artists have embedded beauty in such barren form of the earth, too.

Those who have painted deserts and bare mountains of land mass without green cover of the grass might have find their work more challenging. Here they would have fewer subjects to depict the concept of beauty. But if the above painting done by the master painter Caspar David Friedrich is any evidence, these artists have never found any difficulty in painting the barren land, and uncovered areas of the land. One would hardly find the words spacious enough to describe the artistic prowess Friedrich possessed. His painting brush had enough power to embed the symbolic meanings into the paintings.

Images courtesy By Friedrich, Caspar David [public domain], from Wikimedia Commons, a

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By Friedrich, Caspar David (scanned from book) [public domain], from Wikimedia Commons ]

If we look in the landscapes of the mountains in foreground, we get the detailed view. We can see that there is no presence of any vegetation in this area under painting. When we run our eyes to the distant mountains having lesser detail, there, too, we fail to find the green substances. So this painting is the painting of the barren mountains. But it has its own beauty.

Romantic Landscape Paintings: Putting Love in Colors

Theme: Landcape Paintings are the Best Examples of The Pantings of Romanticism.

Carl Anton Joseph

The landscape paintings throw us on vastness of land and sea. The flowing rivers make us to believe that the nature would provide for our food for ever; and the upright mountain challenge us to be brave and innovative. When the artists, a pinter takes a brush in his or her hand and stands before a blank canvass with an idea to depict these natural object; the idea in his or her mind is to reflect the our attitudes towards the natural world, the beauty of Mother Earth.

The colours the artists spread on canvass or a piece of paper animate the picture that has formed in the psychic of the artists. We should take it granted that the final outcome is not the photograph of what the eyes of the artists has visualised. It is the artist memory what was before his or her eyes blended with artistic imagination.When the painters who were contaminated with the artistic germs of romanticism blended their art and the romanticism movement, the result was bound to be unique in every sense of understanding.

The above painting is by Carl Anton Joseph (1797 - 1850), a German landscape painter, who belonged to the circle of artists around the Ludwig I, the king of Bavari Carl Anton Joseph painted large landscape paintings for the king. Carl Anton Joseph’s landscape paintings are is best known for mythical landscapes. The colours of the painting are wet with romanticism and the vision perspective of the painting a little bit chaotic one.

The soul of the painting forces us to believe us that we are standing in the midst of the real landscape. But the organization of the objects led us to believe that the whole landscape is tilted in one side, going outward from the spot we are standing. It is because an artists, while painting such a romantic scene, tends to believe that his or her entire self is being poured out.
Image Courtesy Wikimedia Commons

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